Paso Doble

Background

The Paso Doble, in its classical form dates back to many centuries ago. Paso Doble music was originally intended for use at bullfights when a Toreador was victorious in the arena. The music adapted itself so beautifully to the dance that the villagers would dance to the exciting, lively music for hours at a time.

Americans first viewed the Paso Doble when Flamenco dancers used this music to dance the role of a Toreador. It has been a favorite (in it ballroom version) since the 1930’s. In the Ballroom version of the Paso Doble, the gentleman usually portrays the Toreador and the Lady is his cape. Although, there are times when a very strong aggressive action in certain movements seem to be portraying the actions of the bull.

Music and Tempo

The Bronze Paso Doble music is written in 2/4. 4/4 and 6/8 time and should be played at a tempo of 58-60 measures per minute for examinations and competitions.

Style and Characteristics

The Paso Doble is a progressive dance that moves along the line of dance. It also has many figures that remain in one spot. A staccato movement of the feet, level changes, upright torso and dramatic movements of the head, the arms and the hands highlight the style of the Paso Doble.

A most helpful aid in acquiring the proper “feeling” is to visualize the pageantry of the Toreadors, as they make their grand entry into the bull ring and feel the “attitude” that is displayed during the fight.

• Foot work is ball flat throughout although strong steps taken either
• Forward or in promenade position would be taken on the heel.